In October 1787, en route to Botany Bay, the First Fleet stopped off in Cape Town to replenish provisions and buy animals and plants for the intended new colony in Australia. While the convicts were left to languish for weeks on board, the British officers and marines went sightseeing on dry land – and indulged in a spot of South African wine tourism.

“The Cape is celebrated for producing in the highest perfection all the tropical and other fruits,” wrote David Collins, the soon-to-be lieutenant governor of Sydney, in his journal. “Wines of their own growth formed a considerable article of traffic here; and the neatness, regularity, and extent of their wine-vaults, were extremely pleasing to the eye; but a stranger should not visit more than one of them in a day; for almost every cask has some peculiarity to recommend it, and its contents must be tasted.”

After assiduously sampling his way through the Cape’s cellars, Collins singled out one particular wine for praise. “Constantia,” he wrote, “has a very fine, rich, and pleasant flavour, and is an excellent cordial.”

Cape Town proved to be a popular replenishment stop for the First Fleet in 1787 – thanks in part to its sweet wines.
In the late 18th and early 19th centuries, sweet wines were held in the highest regard by connoisseurs around the world, often commanding prices far in excess of dry wines. And Constantia was one of the most prized sweet wines of all. Notable devotees of the “excellent cordial” included Casanova, George Washington and Napoleon Bonaparte. And Jane Austen, Charles Baudelaire and Charles Dickens – like David Collins – all wrote glowingly of the wine.

Replicating a classic

Over the ensuing decades, the fortunes of South Africa’s original Constantia vineyards ebbed, with the last sweet wines being produced there in the 1870s. It took a century before this pocket of the Cape saw vines once again, and until the mid 1980s before the then owners of the Klein Constantia estate decided to recreate the famous sweet wine of yesteryear, calling it Vin de Constance and releasing it in a replica of the distinctive, dumpy 18th-century bottle.

“We lost 100 years,” says current Klein Constantia managing director Hans Astrom. “We now have wines from the modern era going back to the 1980s. And there are still wines out there in cellars around the world from the 1800s, because they were so popular and people bought a lot of them. I even know of some from the 1790s. But I wish we had a continuity of vintages stretching back all the way.”

Since the current owners of Klein Constantia took over in 2011, they have been making up for lost time. As well as expanding the business in 2012 by merging with the leading Stellenbosch vineyard Anwilka and planting more sauvignon blanc on the home estate to keep up with demand (most of Klein Constantia’s modern production is in the form of dry wines such as sauvignon and cabernet blends), Astrom says the viticulture and winemaking team has been looking at ways to improve the already successful formula for the Vin de Constance.

“We have planted a little more muscat,” he says, explaining that this aromatic grape has, since its resurrection in the 1980s, been the variety of choice for the wine. “But we have also planted some furmint and petit manseng, and we are playing with chenin blanc, to see what they can bring to the blend.”

For lovers of great sweet wine, this is potentially very exciting: these three grapes, from Hungary’s Tokaji region, France’s south-west and the Loire Valley respectively, are all responsible for some of the world’s oldest and greatest stickies.

“Constantia … is an excellent cordial,” wrote Sydney’s soon-to-be lieutenant governor David Collins in 1787.
Astrom says the team is also more rigorous than ever in its selection of only the very best fruit for the wine: he will send vineyard workers out up to 15 times during harvest to pick only the best bunches of super-ripe, shrivelled and – importantly – botrytis-free grapes. And if the season isn’t up to scratch, no Vin de Constance will be made.

“There have been two years recently where we haven’t bottled any,” he says.

It’s worth the sacrifice, though, to retain the reputation.

“Vin de Constance is a unique wine,” says Astrom. “If people ask ‘What are the very best sweet wines in the world?’ and we are mentioned, then that is what we hope for.”